Synopsis
Two strangers. One crowded Metro car. A gallon of milk. What could go wrong?
"Also delightful is local playwright John Bavoso’s “Threat Level: Cream,” a droll and twisty tale of two Washingtonians (Chloe Mikala and Jonathan M. Rizzardi) who encounter a suspicious gallon of milk on the Metro." — The Washington Post
"I also liked John Bavoso’s Threat Level: Cream, which closes out the first Act. Rusty (Jonathan M. Rizzardi) and Kara (Chloe Mikala) are strangers on a train — specifically, the Washington Metro — who engage over a bottle of milk which someone has left on the seat next to Rusty... Eventually the conversation drifts to more mundane matters — their jobs, how hard it is to get rest, and so on. Indeed, they go on a bit too long (can a ten-minute play be too long?) until the action suddenly lurches more violently than a Metro train. The terrific climax is accentuated by Rizzardi’s first-rate work as Rusty and by director Connor Hogan and the production team, who bring the Metro experience to life." — DC Theatre Scene
Cast Breakdown
1W, 1M
Running Time
10 minutes
Production History
• Source Festival, Washington, DC, June/July 2017
• Orange County New York Arts Council 10-Minute Play Festival, Port Jervis, NY, July 2017 (Reading)
Read the script on the New Play Exchange.
Photo Credit: Teresa Wood Photography
Synopsis
During a seemingly chance encounter after work in a shitty bar, Celia discovers she has more in common with Renee than just their fondness for whiskey.
Cast Breakdown
2W
Running Time
10 minutes
Production History
• Short + Sweet Hollywood, Los Angeles, CA, July 2017
• Women's Eight-udes, AlphaNYC Theater Company, New York City, NY, April 2017
Read the script on the New Play Exchange.
Photo Credit: Fredrik Wass on Flickr.
Synopsis
Can a home be haunted by the actions of its owners? In BLIGHT, Silvia and Cat Henson have just moved from a tiny apartment in Washington, DC, into their sprawling dream home in the small, affluent town of Greenville, Delaware. But the house only happens to be in their price range because it was most recently the home of a teenaged mass shooter and his single mother. Within days of moving in, they’re confronted by a mayor who wants to erase their house from the map, a neighbor who’s on a mission to turn it into a memorial, and an alarmingly chipper consultant who specializes in the macabre. Is this the right time and place for Silvia and Cat to bring a new baby into the world, or will the house create an irreparable rift between them and their new community?
"BLIGHT is [a] play that's urgently relevant to the time we live in now. I was impressed with Bavoso's scope: the house of the play fills with people from the past and the present. A terrible event lies at the center of this play and the house in it, but it's the vivid, real characters that give this play life." — Sam Mayer, The Landing Theater Company
"The selling of a home that previously belonged to a teenager who committed a mass shooting sounds like a powder keg waiting to explode, but the script by John Bavoso... show[s] the tender sides of this ultra sensitive situation... One doesn’t expect much joy or humor from the ominous and dreary description, but the show was actually quite delightful." — DC Theatre Scene
Cast Breakdown
6W, 3M (or 5W, 2M with doubling)
Running Time
100 minutes with one intermission
Development History and Awards/Recognition
• The Kennedy Center Page-to-Stage Festival (Reading), Pinky Swear Productions, Washington, DC, September 2017
• New American Voices Play Reading Series, The Landing Theatre Company, Houston, TX, April 2017
• Named one of the Top 20 Full-Length Play Finalists for the Source Festival 2017
• Hothouse New Play Development Series v5.0 (Workshop), Theater Alliance Washington, DC, October 2016
Read the latest draft of the script on the New Play Exchange.
Listen to a themed playlist on Spotify.
Photo Credit: Todd Klassy on Flickr
Written by John Bavoso with Seth Alcorn, Karen Lange, Kenny Neal, and Brittany Alyse Willis
Synopsis
Join the cast and crew of a traveling Bluegrass variety show as they record a special night of traditional murder ballads for the radio. Things quickly start to go awry as uninvited guests—of the spectral variety—begin to reveal the other side of these sadistic stories: the victims’. Will they—or you—be able make it out without a little bit of blood on their hands?
"Over Her Dead Body shows us what it really means when we romanticize violence. It’s both entertaining and important, and haunting in the best possible way." — DC Theatre Scene
"You will walk away from Over Her Dead Body feeling strangely exhilarated, because you’ve discovered a work that manages to be fun and electrifying while at the same time chillingly thought provoking." — DC Metro Theater Arts
Cast Breakdown
4W, 1M
Running Time
90 minutes, no intermission
Production History and Awards
• Capital Fringe Festival, 2016
• Kennedy Center Page-to-Stage Festival, 2016
• Winner, Best Musical and Best Overall Show, Capital Fringe Audience Awards 2016
Watch the Kennedy Center performance on YouTube.
Listen to a themed playlist on Spotify.
Photo Credit: Ryan Maxwell Photography
Synopsis
Curtis has only just met Everett, but he learns a lot about his new booty call — and his past — by snooping though the music on his computer.
"Bavoso writes some wincingly funny lines and Atkin takes full advantage of them; indeed, Curtis is a character Oscar Wilde could have written, if Wilde had known what Spotify is." — DC Theatre Scene
"Bavoso wrote a hilarious script full of excellent, and excellently terrible, music." — MD Theatre Guide
"John — I had a chance to see your play at the Source Theater Friday night and it packed a mighty punch. I truly did not see the twist (nor did the people behind me)! And when I did I became teary-eyed and the whole meaning of the play shifted for me. It was just lovely and so poignant. Would you tell your cast that they were marvelous? Truly your play was one of the highlights of the night." — Karen Kane, Columbia Heights
Cast Breakdown
3M
Running Time
10 minutes
Production History
• [spectrum] LGBT New Play Festival, Funky Little Theater Co., Colorado Springs, CO, July 2017
• Metropolitan State University of Denver, CO, December 2016
• Source Festival, Washington, DC, June/July 2016
Read the script on the New Play Exchange.
Photo Credit: Teresa Wood Photography
Synopsis
Set in an underground bunker, Adam & Steve tells the story of two unlikely strangers who meet for a year away from the world—though what unfolds throughout the year is not what either of them expected.
Cast Breakdown
2M
Running Time
10 minutes
Production History
• Short + Sweet Theatre Festival, Sydney, Australia, January 2016
Read the script on the New Play Exchange.
Listen to a themed playlist on Spotify.
Photo Credit: Favaloro Media
Synopsis
When Olivia and Lizzie, two best friends since college, planned their vacation to Rio de Janeiro, they were looking forward to booze, beaches, and beautiful Brazilian boys. What neither of them expected was to find their potential soul mate... in one another. But after a life-altering night in a rundown hotel, they must confront questions of romance, lust, friendship, and identity—and in doing so, discover that the road to true love is rarely straight.
"First-time playwright John Bavoso’s inventive and appealing script for Olizzia would make a terrific indie rom-com caper that would be a hit on the lesbian-and-gay film festival circuit [...] Despite this production’s shortcomings (which are easily ignored), Olizzia is definitely a play worth seeing. And Bavoso is a playwright to watch out for." — DC Metro Theater Arts
"Ultimately, Olizzia may be a little talkative and hasty towards its resolution, but its heart is in the right place: soul mates can come from where you least expect them, so keep your eyes (and mind) open." — DC Theatre Scene
Cast Breakdown
2W, 2M
Running Time
70 minutes, no intermission
Production History
• Capital Fringe Festival, Washington, DC, June 2014
Read the script on the New Play Exchange.
Listen to a themed playlist on Spotify.
